Originally released in 1974, the band's second album added increasing levels of fringe experimentation to their already weird recipe. Stratos' vocal comes off throughout as one-third Pavarotti, one-third haunted house, and one-third Diamanda Galas' long-lost brother. Primitive drums and electronics, intense dustbowl jams, ARP synthesizers, a blizzard of speaking voices, Fender Rhodes solos, wavering Middle Eastern hummingbird and modes and ghostly voices morphing into tortured cries.