The Paul Geremia disc is filmed in the identical manner as the Block session. Geremia came to acoustic music much as a college student. He first played harmonica and learned guitar by watching the guitarists. He was inspired to play guitar after he attended a workshop led by Mississippi John Hurt in 1963. Geremia spent a lot of time during the 1960s in Cambridge, Massachusetts, where he met and performed with fellow musicians such as Tom Rush, Jim Kweskin, Geoff Muldaur, and Tim Hardin. Through Dick Waterman he also met bluesmen such as Skip James and Son House. Geremia talks about his admiration for the music of Blind Willie McTell and Blind Lemon Jefferson and he impressively performs some of their material. A natural storyteller, Geremia recalls the time he asked Howlin' Wolf and his band to his apartment for a party after a show and then was shocked when they actually showed up. He affectionately recalls his time spent with Pink Anderson, who along with Roy Book Binder, helped get the South Carolina songster much deserved late recognition. Geremia still leads a troubadour's life driving himself all over the country, including frequent trips to Europe, performing gigs at major festivals as well as intimate coffee houses and bars. NTSC all region, 100 Minutes.