Womack returned to American in 1969 to cut My Prescription, also produced by Moman, at a time that the venue was becoming exceptionally hot with visits from the likes of Elvis, Dusty Springfield, Neil Diamond and others. Womack's sophomore album may however well be one of the most demonstrative showcases of studio and session crew, incandescent on a finely-honed program of classy and soulful performances, with the singer in full control. Tracks like 'How I Miss You Baby,' 'Arkansas State Prison' and 'I Can't Take It Like A Man' stand as some of Womack's greatest moments, and taken as a whole, My Prescription stands not only the man's first truly great solo album, but also a timeless slice of sophisticated southern soul-making. Record stampers produced by Record Technology, Inc. Camarillo California, USA.